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In Hard Times, musical theater historian Elizabeth L. Wollman takes readers on a fascinating tour of the adult musical scene of New York City's rampant 1970s.
After the success of Hair in 1968, the low-budget adult musical proliferated. The most famous was the long-running "Oh! Calcutta!", but countless more made it to stage: "Stag Movie," "Let My People Come," "The Faggot," and others. Structured like old-fashioned revues, with thematically interconnected songs and skits, they received little respect from critics, who either condemned them for going too far in the direction of hard-core pornography, or for not being erotic enough. The public thought otherwise, flooding the theaters and pouring cash into box-office tills. Wollman shows that adult musicals represented far more than a silly fad from a silly decade: they reflected experimentation with newfound sexual freedom, not to mention the rise of the women's and gay liberation movements. She examines the impact of the Stonewall riots on gay musicals; how feminism was reflected on stage; and how "porno chic" and hard-core porn influenced performances. Even the most middlebrow efforts brought into focus the debate between art and obscenity, and angst over New York City's socioeconomic status. By the early 1980s, as the city's economy recovered and society grew conservative, these musicals disappeared-an indicator of a larger transformation.
Wollman reasserts the significance of this humble (if hardly modest) art form. Adult musicals, she shows, represented aspects of American culture at their messiest and most confused-and thus at their most honest.
- Sales Rank: #2002594 in Books
- Brand: Brand: Oxford University Press
- Published on: 2012-10-29
- Original language: English
- Number of items: 1
- Dimensions: 6.40" h x .90" w x 9.30" l, 1.15 pounds
- Binding: Hardcover
- 288 pages
- Used Book in Good Condition
Review
"A brilliantly insightful and nuanced account of a musical theatre subgenre known only by its reputation, Hard Times is paradigm-shifting. Whether or not you were in New York City in the 1970s, Wollman brings these shows to life, taking you on a fascinating, thoroughly engaging, and surprisingly funny and moving journey." --Stacy Wolf, author of Changed for Good: A Feminist History of the Broadway Musical and Professor of Theater, Princeton University
"Wollman is a superb storyteller, weaving strands into so many other stories that you wonder how they ever made sense without hers. Like all good storytellers, she brings out the laughter and the pathos, with both in abundance. And she's a first-rate scholar-although, as befits her topic, she wears those robes lightly." --Raymond Knapp, Professor of Musicology, UCLA, author of The American Musical and the Formation of National Identity and The American Musical and the Performance of Personal Identity, and co-editor of The Oxford Handbook of the American Musical
"A good read and well-researched. It was fun for me to see my show in the context of others. Let My People Come still plays and evolves." --Earl Wilson Jr., composer and lyricist
"Elizabeth Wollman has surveyed the field and put it all in perspective in Hard Times...Wollman's book boasts its own 'companion website' and the text of the book is replete with icons directing the reader to photos and audio clips giving her narrative additional color - visual and aural." --DC Theatre Scene
"[A] lovingly crafted, well-written volume...A scholarly work on an overlooked subject, and a delightful read for anyone already steeped in Broadway history." --Choice
About the Author
Elizabeth L. Wollman is Associate Professor of Music at Baruch College in New York City, and author of The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig.
Most helpful customer reviews
1 of 1 people found the following review helpful.
another facet
By SouthAl
Always interested in theater history and this book gave an entirely different perspective. I remember, although never saw any of them, the names of some of the shows. And have the cast album of "Oh Calcutta". The cast album was absolutely reflective of the time period! It definitely was interesting to see the development of Hair, especially in conjunction with another theater history book I am reading.
0 of 0 people found the following review helpful.
It's not just a story of actors running around naked on stage
By Robert Fisher
When I was growing up in the 1970's, I read Mad and came across its takes on the recent trend of nude scenes in plays. I recall a very funny piece about an actor considered the greatest of all, but who can't get work because he looks terrible naked. Years later, the show Quantum Leap had an episode set in that time. When I saw a citation for this book, I thought it sounded like a promising history of this colorful era of theater. Hard Times proves to be quite a good read: Elizabeth L. Wollman is not overly gushing or critical nor too academic. She writes of the two works that got things moving, Hair and Oh! Calcutta!. However, actors prancing nude is hardly her focus. She also writes of how gay and feminist forces started to tell their stories in musicals, with sometimes mixed results. She overviews censorship laws and compares how Oh! Calcutta! avoided major legal hassles as a lesser known play, Che!, found itself on trial. While the stage is predominant, she also looks at movies; The First Nudie Musical is among them. I recall seeing an ad for it when young and Wollman writes of how it was a sometimes clever satire of adult musicals and made me want to seek out the film. In the end, Wollman believes that the adult musicals' chief accomplishment was to help middle class people navigate their way through the complicated social changes the country was experiencing and doing so in an entertaining fashion. Hard Times might be best described as one of those books that examines a subject most would regard as minor and shows that it actually provides a fascinating story.
0 of 0 people found the following review helpful.
Company is a gay musical?!
By FloridaLitiGator
This is a very interesting, informative book. I have already lent it to a co-worker who is almost finished and agrees. I forget what led me to this Amazon page to purchase it, probably that I found the subject interesting. I have been to a Broadway show, etc. but before Hamilton, I had completely suppressed any interest I had in theater. Very interesting history on the Stonewall Inn and Sondheim musical, Company. I had always assumed Bobby was a sociopath, like many of the characters in the book "I Don't Care About Your Band."
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