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Additives for Polyolefins is a unique quick-reference resource for those who create or use polyethylene and polypropylene compounds—the most commercially important family of plastic materials, making up close to half of the volume all plastics produced and used. These polymers would be useless without various additives.

The book focuses on polyolefin additives that are currently important in the plastics industry, alongside new additives of increasing interest, such as nanofillers and environmentally sustainable materials. As much as possible, each chapter emphasises the performance of the additives in the polymer, and the value each relevant additive brings to polypropylene or polyethylene. Where possible, similar additives are compared by capability and relative cost.

In this new edition, product tables have been updated with the most current product and company names, new case studies have been added, the role of nanofillers is discussed in greater detail, and the book concludes with a discussion on blending and handling additives, along with an entirely new chapter on how engineers can approach the issue of sustainability when choosing an additive.

• Assesses capabilities and costs of a range of additives to enable engineers and scientists to make the correct selection for their property requirements
• Provides concise, practical information about the purpose and use of specific additives, fillers, and reinforcements – demystifying the world of additives by providing clear, engineering explanations, and including real-world application case stories
• Updated to include additional material on nanofillers, blending and handling, and sustainability

• Sales Rank: #3033287 in eBooks
• Published on: 2015-03-17
• Released on: 2015-03-17
• Format: Kindle eBook

About the Author
Michael Tolinski is Managing Editor of SPE's Plastics Engineering magazine and an independent technical editor, writer, and researcher.

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• Published on: 2000-01-21
• Original language: French
• Dimensions: .31" h x 5.39" w x 8.31" l,
• Binding: Paperback

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• Sales Rank: #9703789 in Books
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Gifted artist? Standout student? All his teachers are sure certain that Evan Galloway can be the graduate who brings glory to small, ordinary St. Sebastian's School. As for Evan, however, he can't be bothered anymore. Since the shock of his young father's suicide last spring, Evan no longer cares about the future. In fact, he believes that he spent the first fifteen years of his life living a lie. Despite his mother's encouragement and the steadfast companionship of his best friend, Alexis, Evan is mired in rage and bitterness. Good memories seem ludicrous when the present holds no hope. Then Evan's grandmother hands him the key--literally, a key--to a locked trunk that his father hid when he was the same age as Evan is now. Digging into the trunk and the small-town secrets it uncovers, Evan can begin to face who his father really was, and why even the love of his son could not save him.

In a voice that resonates with the authenticity of grief, Steven Parlato tells a different kind of coming-of-age story, about a boy thrust into adulthood too soon, through the corridor of shame, disbelief, and finally...compassion.

• Sales Rank: #424148 in eBooks
• Published on: 2012-12-18
• Released on: 2012-12-18
• Format: Kindle eBook

From School Library Journal
Gr 9 Up-Fifteen-year-old Evan Galloway is struggling to deal with his father's recent suicide, but going to the same Catholic school that his father attended and dealing with his mother's emotional detachment don't make it any easier. So when his grandmother gives him a footlocker that belonged to his father, Evan is all too eager to discover some answers to his nagging questions. He expects to find old posters and mementos, but what he doesn't count on is finding his dad's old journals. As Evan goes on a journey to connect with his late father, he makes a chilling discovery that as a boy, his father was sexually molested by a Catholic priest, and Evan is able to slowly piece together the role this played in the man's suicide. The story is powerful, and the plot is well crafted, but the writing alternates between choppy and engaging, and the dialogue often feels forced. The story is slow to unfold, and reluctant readers are unlikely to push past the first few pages. Committed and patient readers, however, will take something away from this thoughtful coming-of-age story.-Candyce Pruitt-Goddard, Hartford Public Library, CTα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review

"Parlato constructs an introspective debut about the aftershocks of family trauma. Evan's journey ... is complex and solidly woven. Parlato's ... ambitious, well-executed plot twists and nimbly handled cast make him a name to watch." --Publishers Weekly

"Before his father killed himself, [Evan's] home life was pretty normal.... Now there's a hole in that life that can't be filled or explained. Parlato's debut novel...is a painstaking dissection of a father's past and its reverberations in his son's life. A memorable, disturbing story, carefully wrought." --Kirkus Reviews

"Steven Parlato's The Namesake is an emotionally stimulating young adult novel that delves into the powerful topic of abuse. Using dry wit, incredible similes and metaphors, and a very thought-provoking storyline, Parlato introduces the reader to an original and unforgiving exploration of the teenage psyche." --Blogcritics

"Steven Parlato's The Namesake totally knocked me off my feet. This is the type of book that keeps you reading, especially if you enjoy dark humor. It's jarring to be sure, but well worth your time." --Hopelessly Devoted Bibliophile

"The novel shapes up to be one of the best contemporary reads I have ever read. The further I got into the book, the more I became convinced that [the author] was a genius with his writing. The characters were all perfectly laid out. I was able to connect with each and every one of them." - The Subtle Chronicler

From the Author
Evan Galloway, the protagonist of The Namesake, has been a part of my life for over ten years. At times, he was my primary focus, pushing aside flesh-and-blood folks, demanding to be heard. There were also dormant stretches when I was unable - or perhaps unwilling - to listen. His has not been an easy story to tell, but it is one I knew I had to attempt. Creating The Namesake has taken me to places both unexpected and familiar.

The story began taking shape in my first graduate class at Wesleyan University. It was a leap of faith, after writing papers about young adult novels, to imagine I could write a novel of my own. I've been fortunate in that leap to have had the support of incredible teachers, friends and family.
�
In his book, On Writing, Stephen King likens stories to "found things, like fossils in the ground," defining "writing as excavation." I've found this to be true, and there were definitely times I doubted my agility in digging carefully enough to unearth the thing unharmed. As Evan's story deepened, taking dark and surprising twists, I've felt at times it was my job just to hang on and listen. �

Through his struggle to know his lost father, Evan learns an awful lot about himself. For me, creating Evan has been a learning experience as well. I've discovered how poetry can inform my fiction, how the tiniest detail can make all the difference, and how faith truly can sustain us. My faith in this story grew slowly, nurtured by that early support I mentioned.
�
Recently, The Namesake has garnered pre-release attention and praise, winning the Young Adult category of the 2011 Tassy Walden Awards for New Voices in Children's Literature. When I read an excerpt at the awards ceremony, someone compared my book to The Catcher in the Rye; my agent, Victoria Marini, has likened it to the work of the supremely talented John Green; and my editor, the amazing Jacquelyn Mitchard, referred to my writing as "masterful." All this acclaim is, of course, wonderful as I prepare for the release of my debut novel. At its heart, though, this book is simply Evan's chance to share his story, to relate his painful journey with truth and humor.�
�
The Namesake is an important work for me on so many levels, and I'm truly honored and humbled to share it with you. I hope you'll enjoy it.

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9 of 9 people found the following review helpful.
Poignant, Painful and Nearly Perfect
By Kim S.
Steven Parlato has tackled two difficult subjects, suicide and sexual abuse, with grace, humor and brutal honesty.

Evan Galloway, protagonist of the story, delves into the past to try to unravel why his father committed suicide. In the process he digs up not only painful family secrets but the sordid history of the high school he attends, St. Sebastian.

It's not always an easy story to read, Parlato's prose pulls us into realms we'd rather not admit exist. It is graphic but not explicit in its portrayal of sexual abuse. Just when we think we can't face anymore, Parlato pokes holes in the tension with a moment of Evan's sarcasm or the wit of his best friend, Alexis. And somehow, through it all, the author manages to write a story exposing the failings of those who serve the church without casting God as the villain. Instead, it is God's grace that ultimately triumphs.

Although this may be considered a YA novel, the expert weaving together of teen angst and family drama make this an excellent read for any age.

8 of 8 people found the following review helpful.
Conflicting emotions, dark subject matter, beautiful writing
By Living it up
I bought this book because the cover appealed to me. To keep myself out of a literary rut I do that occasionally.
I would never have guessed how much darkness lurked behind the light at the end of the pictured hallway.
This is a very tough review to write. One does NOT enjoy a story like this.
However, the truth is that this is one beautifully written book and deals with deeply depressing subject matter in an honest, sensitive, truthful fashion. I am an older adult and have a very difficult time hearing/reading of rape and sexual abuse, especially of children.
The protagonist's story is heartbreakingly difficult--his father's suicide would have been bad enough, but what he discovers is simply wretched.
The author handles all of the difficult situations, and the characters lives and hearts carefully and with respect as he spins his tale. I came to love Evan and deeply empathize with his painful journey. While I literally wept and felt sick during some of the passages, the book was well worth reading.
There is hope, grace and redemption in this novel, and it is much appreciated by the time we realize how much horror is present.

I would NOT give this book to a young/innocent teen, nor would I give to a teen already struggling with deep depression or anxiety or defeatism. There is simply too much unpleasantness and I could see it completely overwhelming someone already on the edge.

11 of 13 people found the following review helpful.
A review from Bookworm1858
By bookworm1858
I'm not really sure why this book callled to me as on the surface it doesn't really seem like a "Stephanie" book. It's a male narrator dealing with grief and some very dark subjects in a literary novel fashion. But it is contemporary YA mostly set in a high school and featuring religious questioning so maybe those were elements I somehow sensed.

My rating for this book is largely based on personal enjoyment, which was not very high for this book. It is dark: the book opens with the narrator reflecting on his father's suicide and that hangs over the entire book as Evan delves into his father's tortured past (if I mention that his father was an altar boy, you might be able to figure out some of what he endured). I do not tend to like dark books and there were many difficult passages for me.

As for the writing, I thought this book had a more literary quality unlike a lot of YA, which tends to lean commercially in my opinion. However some of the characterizations felt off. Evan is supposed to be very smart (having skipped at least one grade) but I didn't really get that impression from him. He was more sensitive than some of his peers but intellectually, he seemed average. His best friend Lex has had some trauma in her past and I thought the reveal of that darkness wasn't handled as well as it could have been (I don't want to reveal spoilers) although by the end, it was almost completely laid bare.

Another element that was hard for me was just the formatting. This book isn't divided into chapters but every few pages, there are section breaks. I would have preferred for each of those sections to be turned into chapters. This is a very odd little personal preference that probably wouldn't bother anyone else.

Overall: A warning that this book is definitely on the dark side and more suited for older readers. Definitely check out some other reviews to see if this one might be right for you.

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In Hard Times, musical theater historian Elizabeth L. Wollman takes readers on a fascinating tour of the adult musical scene of New York City's rampant 1970s.

After the success of Hair in 1968, the low-budget adult musical proliferated. The most famous was the long-running "Oh! Calcutta!", but countless more made it to stage: "Stag Movie," "Let My People Come," "The Faggot," and others. Structured like old-fashioned revues, with thematically interconnected songs and skits, they received little respect from critics, who either condemned them for going too far in the direction of hard-core pornography, or for not being erotic enough. The public thought otherwise, flooding the theaters and pouring cash into box-office tills. Wollman shows that adult musicals represented far more than a silly fad from a silly decade: they reflected experimentation with newfound sexual freedom, not to mention the rise of the women's and gay liberation movements. She examines the impact of the Stonewall riots on gay musicals; how feminism was reflected on stage; and how "porno chic" and hard-core porn influenced performances. Even the most middlebrow efforts brought into focus the debate between art and obscenity, and angst over New York City's socioeconomic status. By the early 1980s, as the city's economy recovered and society grew conservative, these musicals disappeared-an indicator of a larger transformation.

Wollman reasserts the significance of this humble (if hardly modest) art form. Adult musicals, she shows, represented aspects of American culture at their messiest and most confused-and thus at their most honest.

• Sales Rank: #2002594 in Books
• Brand: Brand: Oxford University Press
• Published on: 2012-10-29
• Original language: English
• Number of items: 1
• Dimensions: 6.40" h x .90" w x 9.30" l, 1.15 pounds
• Binding: Hardcover
• 288 pages

Features

• Used Book in Good Condition

Review

"A brilliantly insightful and nuanced account of a musical theatre subgenre known only by its reputation, Hard Times is paradigm-shifting. Whether or not you were in New York City in the 1970s, Wollman brings these shows to life, taking you on a fascinating, thoroughly engaging, and surprisingly funny and moving journey." --Stacy Wolf, author of Changed for Good: A Feminist History of the Broadway Musical and Professor of Theater, Princeton University

"Wollman is a superb storyteller, weaving strands into so many other stories that you wonder how they ever made sense without hers. Like all good storytellers, she brings out the laughter and the pathos, with both in abundance. And she's a first-rate scholar-although, as befits her topic, she wears those robes lightly." --Raymond Knapp, Professor of Musicology, UCLA, author of The American Musical and the Formation of National Identity and The American Musical and the Performance of Personal Identity, and co-editor of The Oxford Handbook of the American Musical

"A good read and well-researched. It was fun for me to see my show in the context of others. Let My People Come still plays and evolves." --Earl Wilson Jr., composer and lyricist

"Elizabeth Wollman has surveyed the field and put it all in perspective in Hard Times...Wollman's book boasts its own 'companion website' and the text of the book is replete with icons directing the reader to photos and audio clips giving her narrative additional color - visual and aural." --DC Theatre Scene

"[A] lovingly crafted, well-written volume...A scholarly work on an overlooked subject, and a delightful read for anyone already steeped in Broadway history." --Choice

About the Author

Elizabeth L. Wollman is Associate Professor of Music at Baruch College in New York City, and author of The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig.

Most helpful customer reviews

1 of 1 people found the following review helpful.
another facet
By SouthAl
Always interested in theater history and this book gave an entirely different perspective. I remember, although never saw any of them, the names of some of the shows. And have the cast album of "Oh Calcutta". The cast album was absolutely reflective of the time period! It definitely was interesting to see the development of Hair, especially in conjunction with another theater history book I am reading.

0 of 0 people found the following review helpful.
It's not just a story of actors running around naked on stage
By Robert Fisher
When I was growing up in the 1970's, I read Mad and came across its takes on the recent trend of nude scenes in plays. I recall a very funny piece about an actor considered the greatest of all, but who can't get work because he looks terrible naked. Years later, the show Quantum Leap had an episode set in that time. When I saw a citation for this book, I thought it sounded like a promising history of this colorful era of theater. Hard Times proves to be quite a good read: Elizabeth L. Wollman is not overly gushing or critical nor too academic. She writes of the two works that got things moving, Hair and Oh! Calcutta!. However, actors prancing nude is hardly her focus. She also writes of how gay and feminist forces started to tell their stories in musicals, with sometimes mixed results. She overviews censorship laws and compares how Oh! Calcutta! avoided major legal hassles as a lesser known play, Che!, found itself on trial. While the stage is predominant, she also looks at movies; The First Nudie Musical is among them. I recall seeing an ad for it when young and Wollman writes of how it was a sometimes clever satire of adult musicals and made me want to seek out the film. In the end, Wollman believes that the adult musicals' chief accomplishment was to help middle class people navigate their way through the complicated social changes the country was experiencing and doing so in an entertaining fashion. Hard Times might be best described as one of those books that examines a subject most would regard as minor and shows that it actually provides a fascinating story.

0 of 0 people found the following review helpful.
Company is a gay musical?!
By FloridaLitiGator
This is a very interesting, informative book. I have already lent it to a co-worker who is almost finished and agrees. I forget what led me to this Amazon page to purchase it, probably that I found the subject interesting. I have been to a Broadway show, etc. but before Hamilton, I had completely suppressed any interest I had in theater. Very interesting history on the Stonewall Inn and Sondheim musical, Company. I had always assumed Bobby was a sociopath, like many of the characters in the book "I Don't Care About Your Band."

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[F813.Ebook] Ebook Free Street Foods, by Hinnerk von Bargen, The Culinary Institute of America (CIA)

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Street Foods is the first definitive book to explore the medley of global cuisines, cultures, and cooking techniques that are propelling the demand for “world casual” flavors from diners in every foodservice segment. This guide teaches professional chefs and culinary students how to capitalize on the ingredients, flavors, cooking techniques, and service of cherished portable foods from around the world. This is one of the only comprehensive texts available that offers a new look at food served out of trucks, booths, or mobile vending stations and aims to re-codify established classics. Street Foods explores a medley of global cuisines, cultures, and cooking techniques, combining the history of quintessential local street foods from around the world with recipes for these transportable treats. Recipes provide inspiration through the wonderful world of casual street food dining.

Features tantalizing photos by Francesco Tonelli.

• Sales Rank: #864318 in Books
• Published on: 2015-03-16
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.23" w x 8.76" l, .0 pounds
• Binding: Hardcover
• 408 pages

Amazon.com Review
Featured Recipes from Street Foods Download the recipe for Beef Rendang Download the recipe for Romesco Vegetables Download the recipe for Waffles

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6 of 9 people found the following review helpful.
Meh, I would not have bought if I had read a couple recipes first
By butterfly
VERY liberal interpretation "street food"; the recipes are not true to the book's description. What I've made so far has tasted good, but the layout and clarity of the recipes could be improved.

0 of 0 people found the following review helpful.
Five Stars
By romeo matundan
I'm happy and enjoy reading it.

1 of 2 people found the following review helpful.
Good Book
By Michael L. Reed
Good book with a lot of interesting information. Definitely gets your mind going and motivated to try some of the recipes.

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[W857.Ebook] PDF Download The Occupational Environment: Its Evaluation and Control and Management, by S. R. Dinardi

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This text is now the essential source for occupational health and safety specialist, managers, and students in the occupational and environmental health and safety field. Salvatore R. DiNardi, Ph.D., CIH, director of the Industrial Hygiene Program at the University of Massachusetts, Amherst, working with experts in the field and with the involvement of AIHA technical committees, has designed an invaluable tool for practice and instruction. As the editor states, "This book continues a tradition started in 1914 by the Occupational Health Activity of the U.S. Public Health Service that continued to grow and develop, with National Institute for Occupational Safety and Health leadership, culminating in The Industrial Environment Its Evaluation and Control, 3rd Edition. This is the so-called "White Book" that very practicing occupational hygienist cherishes. . . . NIOSH graciously passed the gauntlet to AIHA to continue this 83-year tradition" with the publication of The Occupational Environment Its Evaluation and Control.

The foreword is written by Linda Rosenstock, M.D., MPH, director of NIOSH. In it she states that the new "White Book" examines the "hazards faced by contemporary workers and new approaches to prevention and control; it is intended as a source book for much of the knowledge needed to protect current and future workers from occupational illnesses and injuries."

According to Editor Salvatore DiNardi, "My strategy in designing this book is to emphasize a competency-based approach for each chapter. The outcome competencies, written in behavioral terms, can be measured via professional practice or by academic examination. These competencies were prepared using Bloom's Taxonomy and written in behavioral terms that can be evaluated by examination or practice. The competencies use specific verbs to describe the desired competency."

The Occupational Environment : Its Evaluation and Control, is not only an essential reference and teaching tool, but is also a road map to the occupational hygiene practice of the future. The book also provides an extensive glossary of terms, which are highlighted on their first usage in the text. An Instructors Guide, a multifaceted teaching tool complete with a CD-ROM containing all tables, charts, diagrams and relevant photos from the book, is also available from the publisher.

• Sales Rank: #435835 in Books
• Brand: Brand: Amer Industrial Hygiene Assn
• Published on: 1997-09-01
• Ingredients: Example Ingredients
• Original language: English
• Dimensions: 11.50" h x 9.00" w x 3.25" l,
• Binding: Hardcover
• 1365 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
Not a 'backpack' book
By A Customer
The content is excellent, and this book is a useful reference for anyone studying for the CIH exam. On the down side however, the publisher mistakingly elected to stuff two volumes worth of material into a 3-inch thick tome. The result is a poorly bound book that is not at all portable.

1 of 3 people found the following review helpful.
AMAZING TEXT
By A Customer
An amazing peice of work by a very intelligent man this book should become the standard that similiar works are based on.

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